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Visual Arts Wednesday: Music and Visual Arts Integrated Lesson Plan

Posted on 11/18/2009 09:03:00 PM In: ,
I light of Cara's post on the use of Contemporary Music in the curriculum (if you missed it you can check it out here) I thought I would provide you with a possible lesson plan for the art classroom that would integrate contemporary music into your visual art curriculum.

Rhythm Painting (grades 7-8)

Lesson Overview:
In this lesson, students will produce collages consisting of paper cut-outs, reflecting elements of rhythm of in music. Then they will create an expressive painting demonstrating an understanding of the concept of rhythm and the mood or theme of the music.

Length of Lesson:
Two 45-minute periods for the paper collages
Five 45 minute periods for the paintings

Instructional Objectives:
Students will:
understand, describe, and interpret non-verbal language (auditory and visual).
work in different media, such as drawing, collage (manipulative), and painting.
explore the relationship between elements and principles—specifically, line, shape, and color, rhythm
observe and respond to the content in their work and in others' work.
develop critical thinking skills (comparing, contrasting, and analyzing).

Supplies:
18" x 12" white and black construction paper
assorted fadeless paper
scissors
Elmer's glue
recordings of contemporary music
posters that describe fundamental elements and principles of design
11X14 canvas board
Acrylic paint
brushes

Instructional Plan:

Days 1-2

Review

Review the vocabulary of elements and principles of art
Display historical examples of artwork and engage in a discussion about rhythm. Select another work and ask students to compare and contrast. Which one of the two has evident movement, rhythm, repetition, emphasis, and variety?

Teacher Demonstration
While playing selected contemporary music in the background, demonstrate how to create black and white paper cut-outs:

1. Select three geometric shapes (e.g., square, triangle, circle), and draw them on black construction paper. Cut out the selected shapes in different sizes.
2. Play with shapes on paper. Follow the rhythm of the music with both hands. Draw in the air and coordinate a visual movement and rhythm with the repetition of these shapes.
3. Search for the repetition of shape, movement, rhythm, variety, and emphasis. (Use posters to help explain fundamental elements of design, particularly repetition and rhythm.)
4. Glue black geometric shapes on white paper. Creating a pattern with rhythm that mimics the music they are listening to.

Student Work
Students should finish one paper cut-out using the 18" x 12" white paper (60 lb).

Closure and Cleanup
Preview what students will be working on next, the rhythm paintings.

Days 3-7

Review
Replay chosen contemporary music. Display the cutout collages from days one and two. Discuss with students how the cut-outs reflect the rhythm of the music. Evaluate which collages were more effective and discuss why. Now address mood of the music and intention of the musician. Bring in historical examples of artists working with similar themes or ideas.
Review the color wheel and techniques for painting with acrylics.

Student Planning Time
While playing selected contemporary music in the background, allow students to develop a plan for creating a painting that will be expressive of the rhythm of the music and the overall mood or intention of the musician.

5. Have students draw chosen geometric shapes on canvas (suggested that they choose no more than 3 shapes)
6. Allow students to paint
Student Work
Students should finish one 11x14 painting

Closure and Cleanup
Discuss with students how the paintings reflect the rhythm and mood of the music. Evaluate which paintings were more effective and discuss why.

Assessment:
At the end of the unit, Making Connections Between Music and Art, evaluate student performance based on this Self-Assessment Guide.

**I do not have student examples for this lesson plan, but I did some searching and found similar concept images online. Here are two for you to take a look at with links to the sites they came from here and here






This lesson was adapted from an ArtsEdge lesson plan you can read the original here

Music Monday

Posted on 11/16/2009 08:18:00 PM In: , ,
Fewer and fewer people are involved in classical music today. At the same time, contemporary composers are exploring the vast range of techniques available to them. Including contemporary music in education can help to make a generation of people informed about the arts, willing and able to understand and support the future of music. But what can contemporary music do for a curriculum?

1. Contemporary music can often involve complex rhythmic relationships. See, for example, Brian Ferneyhough's music. Listening to music like this for the first time can be overwhelming, but it is crucial to keep an open mind. Teachers and students can listen closely for one musical element, such as complex rhythm, in this case.

This music can illustrate fractions and ratios in a new way:
- A "beat" or a "measure" can represent the whole
- These units are divided into various parts. There are simple relationships, like half notes (half a measure), quarter notes (a quarter of a measure), eighth notes (half a beat; an eighth of a measure) or more complex relationships, like seven notes in the space of a beat (1/7) heard against thirteen notes in the space of a beat (1/13), resulting in a ratio of 7:13. Listening to these relationships provides a new experience for students (hearing fractions!) and helps solidify knowledge by applying it in an unfamiliar context.

2. Contemporary music is the only music that fits in a contemporary cultural context; learning about contemporary music is an elegant, simple way to prepare students for higher-level thinking about contemporary culture.

For example, John Cage's chance pieces question the difference between music and non-music, art and random chance. These are uniquely postmodern questions posed in an accessible, auditory way. Teachers can discuss Cage's most famous work, 4'33", in this context. Since Cage wrote the piece as an artwork, is it art because he says it is? Or is it not art because it is more-or-less 4'33" of silence? Or is it a profound statement about Zen Buddhism (in which Cage was very interested)?

For a younger classroom, contemporary music can illustrate globalization and multiculturalism. American composer George Crumb sets poetry by Spanish poet Federico Garcia Lorca in his song cycle Ancient Voices of Children. Teachers can use songs from the cycle in Spanish classes, and students can discuss elements that are "American" versus elements that are "Spanish."

Composers like Bright Sheng and Osvaldo Golijov (born in China and Argentina, respectively) both include elements of their own culture's music in the traditional idiom. Students can learn about those cultures and their music through these composers, and this sort of musical multiculturalism can teach students to appreciate other cultures in addition to their own.

In the future, I will continue to discuss ways contemporary music can add to the curriculum, but feel free to ask any questions about what I have above!


TAEA Dallas -Artistic Foundations

This weekend will be the Texas Art Education Association's annual conference for visual art educators. One of the calls of leaders in the arts is to do research that is important to the field and to present it. Being a student I have not felt the need to step outside of my comfort zone and present up until now.

I participated in a class held in Second Life by Dr. B. Stephen Carpenter, II who is at Texas A&M in Fall 2008. He asked our class to participate in the creation of the presentation for this conference entitled "Real World Reflections on Virtual World Instruction: An Autobiographical Discussion About Distance Education, On-Line Learning, and Visual Culture." Each of the presenters will give a narrative about our experiences in the class and how it has impacted our thinking and research.

I will not give my complete narrative of experiences or the complete impact on my thinking and research because this would be too lengthy for a blog post. But I will pause to say that the experience has profoundly changed my educational experience. As an educator who focuses on the development of middle school curriculum I now believe firmly that students would benefit from a virtual world environment, and I will briefly lay out a few of the components I think are benefits to virtual world instruction to the middle school curriculum. These benefits can be applied to any discipline.

Why Students Need a Virtual Classroom
While art educators are focusing on exercises intended to help students achieve higher level thinking skills centered on the canon, students are examining television, movies, music, fashion, advertisements, video games, and technology (Tavin, 2003). Virtual world technologies are excellent examples of not only how visual culture and technology can be utilized to provide an environment where student learning and experiences can transcend a single discipline, but also that learning can be meaningful, integrated, and relevant! I propose that it is possible to create a virtual learning environment for students, and note that examples of such environments already exist in virtual worlds such as Second Life*.

*disclaimer -While Second Life is presently being used for the creation of virtual learning environments at the higher education level it is not currently "safe" for instructional use at the lower levels

Time/Place Factor
Using Second Life virtual classrooms, institutes of higher education have been able to link students in a variety of locations and enhance learning. Students are not limited to interfacing with local peers; a new cultural interface built from the whole world is opened to them. For example, your Spanish-speaking students in Florida can attend class with students in Mexico City.

Student Identity
Students with extreme social difficulties also have a more difficult time achieving higher level thinking skills. In education we often attribute this to concepts like Maslow’s Hierarchy of Needs where, unless the students’ emotional needs are being met, the attainment of self actualization is impossible. Some students will find a freedom that did not exist in the real world. Avatar creation allows for crafting an alternate, if only temporary, identity that may not have a physical disability or other issuer they must deal with in the real world. Avatars can have “dream” hair and clothes, “talk” in any way the student sees fit, and even change gender. For some students this may be an educational benefit allowing them to become who they have been unable to become in real life, and after the initial avatar is designed, focus shifts off of identity and is, perhaps for the first time, on learning.

Field Trips
Perhaps the most exciting possibilities of virtual worlds lie in experiential qualities. Students are no longer limited to experiences in their own cities or things that they can afford to visit, thanks to “virtual field trips.”
Historically significant places where you can take your students are already in Second Life. For example, there is a reproduction of Shakespeare’s Globe Theatre where visitors can watch a production of a Shakespeare play preformed by costumed avatars. There are virtual reproductions of the Alamo, the Vietnam Memorial, the Temple of Isis, and even ancient Rome. Students can visit all of these places from their homes or classrooms and experience the associated history, art, literature, and political science curriculum in a new way. The technology already exists; if you can dream it and have the resources, it can be created!

Check out this wiki for more information about Second Life in education.

References:
Tavin, K. (2003). Wrestling with Angels, Searching for Ghosts: Toward a Critical Pedagogy of Visual Culture. Studies in Art Education, 44(3). 197-213.

Theater Thursday

Posted on 11/12/2009 01:55:00 PM In:
We don't yet have a regular contributor for Theater Thursday, so in the meantime we will take a look at the work of some others in the field of theater education.
Our first post will be into the private sector looking at the Young Actors' Theatre Camp, which is a week-long overnight theatre training camp in San Francisco. Students are 8 - 18 years of age, and all the teachers are working professionals from Los Angeles and New York who work in Film, Television and on Broadway, the focus is on the development of career skills in theater and acting for the students.
This video shows the day in the life of a camper:



This video shows the "product" of the camp experience



What are your thoughts?

Visual Arts Wednesday

Posted on 11/11/2009 03:14:00 PM In: ,
Since this is my first time posting I will introduce myself. I am Jennifer Hartman. I have a BFA in Studio Art, my emphasis was painting and digital media. After earning my degree I chose an alternative certification program and I am certified to teach Visual Art K-12. I taught middle school art for 3 years before beginning work on my Masters degree in Art Education with my research area in curriculum integration.

For our Visual Arts Wednesday post today I thought I would share some lesson planning resources with you for creating integrated units for your students. For myself I felt totally comfortable integrating some disciplines into my lesson plans (like math and science) because they were subjects that I knew a lot about. But there were other areas (like music and theater) that I avoided entirely, or I integrated on a very surface level because I did not have a deep understanding of the subject matter myself. These resources are places where you can go and find lesson plan ideas from the different arts and bring those ideas back and incorporate them into the visual arts classroom.

I hope you find them useful!

General Arts Integration:

ArtsEdge - the National Arts and Education Network

ArtsWork

AEP - Arts Education Partnership

Music Integration:

MENC: The National Association for Music Education

Play Me a Picture -Integrating Music and Art

Theater Integration:

EdTA - Educational Theater Association

Dance Integration:

NDA - National Dance Association

Visual Arts Integration:

The Getty

NAEA - National Art Education Association

Please feel free to ask questions or leave comments, it will help me decide on topics for future posts!

Dance Tuesday

Posted on 11/10/2009 01:06:00 PM In:
We don't yet have a regular contributor for Dance Tuesday, so in the meantime we will take a look at the work of some others in the field of dance education.
In this video ballet graduate student Justine Sheedy teaches world dances to elementary students. Arts, crafts, and cultural lessons are taught alongside choreography.

Watch the video and see what you think about the integration of the arts into the first grade classroom.



What are your thoughts?

Music Monday!

Posted on 11/09/2009 03:53:00 PM In: , ,
Hello! This is my first time on the blog. Let me tell you a little about my background: I am currently working on my Masters' degree in music theory, I play cello and piano, I also compose and am interested in including contemporary classical music in music education. I currently teach private pre-school music and piano lessons.

Here's what I like to do with my pre-K class (ages 2-5):

1. We sing age appropriate songs like Itsy-Bitsy Spider, along with hand motions. I like to integrate motions with singing, and it's important to avoid tunes that are hard for young children to sing (like The Star Spangled Banner, which has a wide range).

2. We use the Kodaly hand signs to practice musical patterns and scales. Here's what I'm talking about:
You should be able to click on the picture to go to the Kodaly Society of Northern Ireland, which has more information about this method.

3. We practice drawing and clapping basic rhythm symbols (quarter note, half note, whole note, rest). The younger ones obviously have a different level of proficiency with this, so I don't push them to perform like the older kids.

4. We play simple instruments together, like tambourine, small drums, etc. and use our creativity to find new ways to play the instruments. Sometimes I bring in a "real" instrument to show them what other instruments look like.

5. We listen to music and learn a little about the way music works. We have listened to Tchaikovsky, Beethoven, Stravinsky, and Rimsky-Korsakov, and I try to encourage them to think about the music like a story (they like "good guys vs. bad guys"). I also use listening time to teach them musical concepts like fast, slow, high, low, etc. Young children often confuse slow/low or high/fast, so differentiating these two is important. Currently, we are studying the orchestra. I bring pictures of the orchestra and orchestra instruments, and we practice saying the names of the instruments.

While I think this format helps them learn what they need to about music, my "book-learning" education has me at a disadvantage. I have little experience with making this fun for the kids, and I thought I was doing a good job (the kids seem involved and they look like they're having a good time) until last class, when one of the kids told me that he didn't want me to come anymore!!

While I'm not going to let what a pre-schooler says get me down, this comment does show me that I'm not doing something right. To be complete, I should mention that the main teacher has asked me to prepare a christmas program, so we spent a lot of the lesson drilling Jingle Bells, not the most exciting thing. Do any of you have any suggestions for how I can make my curriculum more exciting for my kids? Is the curriculum OK? Are there any fun ways to help kids memorize the words of the song (we normally do call-and-response)?

I hope you non-musicians have learned some from what is working for me, though! Feel free to ask me any questions about this curriculum.



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